NO HAY TAL LUGAR

IF ONE IS LOOKING for works that embody the seismic shifts in Mexican literature’s aesthetics and styles in the 21st century, Cristina Riv...

THE DISTANT NEVER SO CLOSE While her previously translated works ( The Iliac Crest  and  No one Will See Me Cry ) are grounded in the p...

1. how does any story work Wood, snow, blood: old stories. The witch in the forest, the breadcrumb trail, the grandmother-skinned wolf...

The resultant investigation is both bright light and shadow, a slow tightrope walk towards the cold, coniferous Taiga and its cache of str...

The language of the edition I read is most directly the work of Suzanne Jill Levine and Aviva Kana, who produced this first translation f...

No se la pierdan por nada del mundo. Habrá streaming (pero inscríbanse para mandar materiales). --crg

No se la pierdan. Aquí, en UH, como parte de la Workshop Series Fall 2018, del PhD en Estudios Hispánicos con concentración en Escritura...

Link to 60 books to read this fall in vulture.com --crg

Rivera Garza’s extraordinary, incantatory novel (following  The Iliac Crest ) is short but stunning, following a semi-retired detective on...

A detective travels to the heart of a mysterious snow forest in this existential mystery about desire, hauntings, and the failure of lan...

The Taiga Syndrome   by  Cristina Rivera Garza  (translated by  Suzanne Jill Levine  and  Aviva Kana ):  Marguerite Duras ,  Clarice Lisp...

Fred Fyles, An Unsettling Tale of Disappearance and Mystery, in Felixonline.co.uk:  Full text here . --crg

Full text Paris Review, Issue 225, Summer 2018  here . Translated by Sarah Booker. --crg

Cristina Rivera Garza’s  The Iliac Crest  has been compared to a David Lynch film, and it’s easy to see why. It’s a circular, unbounded st...

In the wake of the #MeToo movement, as new generations of women worldwide forcibly expose the cruel nature of the gender hierarchies (and ...

U no de los primeros actos de la presidencia de Donald Trump consistió en borrar el español de la página oficial de la Casa Blanca. No fu...

Por acá nos vemos. --crg

Acá nos vemos. --crg

--crg

Este domingo el esperado taller de Samanta Schweblin para el PhD en Escritura Creativa en Español. Y el lunes, martes y miércoles de la ...

En Monterrey, Nl Viernes 23 de marzo ¡Ahí nos vemos! --crg

Friday, March 16th 5:30 - 7:00 pm Keynote address: Writing with Communities Today: Disappropriation and  Shareng Saturday, March 17th...

 Abigail Cortés escribió "Reescritura de Rulfo o no sé qué" para Libroamérica: El cintillo del nuevo libro de Cristina Rivera ...

Roberto Cruz Arzabal publicó " Archivos potenciales: domiciliación y colindancias en Viriditas de Cristina Rivera Garza" en Letra...

I wrote "12 Essential Female Authors" for Publishers Weekly: Some of them are cult writers in their respective countries; some ...

Alejandra Olivo on The Iliac Crest for Remezcla.com: This creepy feminist ghost story has it all: Hitchcockian body-doubles, the ghost of...

Scott Esposito published this interview in The Quarterly Conversation, issue 50:  The impetus for this long-overdue interview was the ...

A review of The Iliac Crest by Sarah Coolidge in Quarterly Conversations, issue 50: Cristina Rivera Garza’s  The Iliac Crest  is a nove...

A review of The Iliac Crest by Ron Slate: If, as readers, what we desire in fiction and poetry is a vision of a complete world, then C...